The Knights Perform the first movement of Janáček’s “Kreutzer Sonata” String Quartet No. 1 - coverage by The Violin Channel.
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“In the hands of Shaham and the Knights, these sumptuous tracks—recorded in 2019 at LeFrak Hall at the Aaron Copland School of Music at Queens College in New York—are flawless.”
— Strings Magazine
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“The Knights’ production was supremely satisfying and intelligent, emphasizing equally the show’s dazzling orchestral music, delicious book, glorious lyrics and carefully calibrated comic acting.”
— The Berkshire Edge
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“So what happens when the awesome musicianship of the Knights combines forces with these stalwart performing artists and composers/arrangers? The audience is treated to a magical experience that will reverberate with them for a lifetime.”
— When Steel Talks
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“For any fans who still believe classical music is confined to opulent concert halls, only to be enjoyed by the pillars of society, meet The Knights.”
— OperaWire
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“Still, the BSO could learn a thing or two from The Knights... what stood out though, were three things. One was the intelligence of the programming. A second was the sheer exuberance of The Knights; fun and camaraderie are in their DNA. And both in terms of performers and composers, there were more people of color than you’d see in whole seasons of programming by some American orchestras.”
— The Arts Fuse
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“Taken together, then, these two performances showcase a group of instrumentalists whose collective musicianship is electrifying: full of just the right combination of wonder, play, and discovery this much-loved repertoire needs in order to sound fresh and truly come to life.”
— The Arts Fuse
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The Knights announces the election of Paul Sekhri to Board Chair and Graham Parker to Board Vice Chair; Bridget Mundy is named Executive Director.
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“On one level, classical music concerns a dialogue between old and new. This is a programming specialty of the Knights…”
— The Washington Post
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“…As the night wore on, the program’s creative team buzzed between each piece with an ease that revealed the electric closeness between the two innovative groups.”
— AllArts
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“…There was plenty to grin about in this live-wire chamber orchestra's sixth annual visit.”
— The Berkshire Eagle
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“…The music begs for that audience interaction…” — WQXR
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Who doesn’t want to experience challenging repertoire spanning centuries, played by engaged musicians, presented informally in aesthetically lovely surroundings?
— A Beast in the Jungle
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“As with the best of Kentridge’s work, The Head and the Load is a kaleidoscopic affair. There are numerous collaborators: The music was composed by Philip Miller and Thuthuka Sibisi and played by the Brooklyn ensemble The Knights.” — The New Republic
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“A superb new score by the illustrious Kaija Saariaho is also played, sometimes between stanzas, sometimes underneath the words, by the four musicians of The Knights…” — NY Times
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The brilliant appearance of the chamber orchestra The Knights in the Great Hall of the Elbphilharmonie with works by Bach sets high standards.
— Hamburger Abendblatt (Germany)
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Epochs, styles, countries, and genre boundaries? They can be safely forgotten by New York Chamber Orchestra The Knights, which electrified the audience in the Graf-Zeppelin Haus.
— Schwaebische (Germany)
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These two dozen musicians from Brooklyn… playfully combine early music with avantgarde, great classics with world music - constantly blowing away audiences because this mix is simply irresistibly refined.
— Hamburger Abendblatt (Germany)
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The Knights, an ensemble that loves to share and open doors of musical exploration for audiences, has reached, with its director Eric Jacobsen, a level of ambition and sound perfection that is, again, unparalleled. Unforgettable, was the comment one could overhear everywhere when leaving the concert hall. We agree and confirm!”
— Destimed (France)
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For decades, dancers and those who adore them have converged on Becket, Mass., for the Jacob’s Pillow festival. Its 85th season promises all the usual family-friendly events, Q&As and performances, and a provocative world premiere: “The Principles of Uncertainty.” Inspired by Maira Kalman’s words and pictures, John Heginbotham’s piece features a score performed live by members of the Knights, New York’s hot young chamber orchestra.
— New York Post
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